Decorative
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The Farjam Collection of Islamic Art

The Farjam Collection is one of the most impressive privately-owned collections in the world today. Featuring Islamic and pre-Islamic art, Contemporary Middle-Eastern art and International Modern and Contemporary Art, the Collection is born…

Chinese Art

From Middle East to Middle Kingdom

In contrast, the appreciation of Chinese–Islamic works has been negligible. For collectors of traditional Chinese art, these works are not Chinese enough; for Islamic-art collectors, they seem too alien to be considered truly…

Exquisitely worked with filigree and granulation, two Yemeni amulet cases hark back to pre-Islamic folk traditions.

Silver Speaks

Throughout the Middle East, Silver, jewellery speaks about the lives of women and girls and the talents of artisans. It provides a window into social status, religion, regional identities and changing lives in…

The 17th-century Nejjarine Fountain, retiled and repaired by two generations of master zlayjis of the Benslimane family.  Photo Credits: Peter Sanders/Saudi Aramco World/PADIA

Zillij in Fez

Zillij is an Islamic art that is based on learning, discipline, and faith. The geometric patterns reflect the Islamic belief that life is ordered by cosmic intelligence, even if people cannot always understand…

The Ardabil Carpet

Design of the Ardabil Carpet (1539-1540)

The entire surface of the Ardabil carpet is covered by a single integrated design – an impressive feat in view of the great size of the carpet. The basic design is relatively simple,…

Khusrau Hunting: Page from a manuscript of the Khusrau and Shirin of Hatifi, dated 1498; Ottoman Turkey (probably Istanbul).

Art of the Ottomans (before 1600)

At the time of its foundation in the early fourteenth century, the Osmanli or Ottoman state was one among many small principalities that emerged as a result of the disintegration of the Seljuq sultanate…

Album leaf with a Shici invocation, 17th century India (Deccan or Kashmir) Ink, colors, and gold on paper

Album leaf with a Shii invocation, 17th century

This leaf of fine nastaliq calligraphy was conceived as an artistic endeavor, in which the writing is integrated with the ornamental background. The decorative technique of marbleizing paper spread from Iran to Turkey…

Leaf from Futuh al-Haramain (Description of the Two Holy Cities of Mecca and Medina), mid-16th century; Ottoman Probably Turkey, Ink, colors, and gold on paper, 8 3/8 x 5 1/4 in. (21.3 x 13.3 cm)

Leaf from Futuh al-Haramain

(Description of the Two Holy Cities of Mecca and Medina) Futuh al-Haramain is an example of a genre of religious writing devoted to the hajj, the Muslim pilgrimage. It serves as a guide to pilgrims…

Woven Tapestry Fragment, 8th century; Umayyad Period, Iran or Iraq, Wool, 12 x 18 3/4 in. (30.5 x 47.6 cm)

8th Century Woven Tapestry

This fragment of tapestry-woven cloth demonstrates the dependence of early Islamic art on traditions that predate the advent of Islam in the Middle East. Here, the influence comes from Sasanian art in Iran….

Leaf from the Shahnama (Book of Kings), 14th century; Ilkhanid Firdausi, Author Iraq or Iran Ink, colors, and gold on paper

Leaf from the Shahnama (Book of Kings)

The legendary death of the Sasanian king Yazdegerd I—who was said to have been kicked by a horse that magically emerged from a spring—is charmingly depicted in this leaf from a dispersed manuscript…

Rosette (shamsa) bearing the name and titles of Emperor Shah Jahan (r. 1628–58), Mughal, 17th century Attributed to India Ink, opaque watercolor, and gold on paper

Rosette (shamsa)

This shamsa is an exquisite example of the art of illumination in the Mughal period. The profusion and gem-like detail of the floral decoration of the rosette, set along scrolling vines, can be…

Vegetal Patterns in Islamic Art

With the exception of the garden and its usual reference to paradise, vegetal motifs and patterns in Islamic art are largely devoid of symbolic meaning. Vegetal patterns employed alone or in combination with…

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FA Bhatti