Design
the tiles of infinity

Tiles of Infinity

 When Peter J. Lu visited Uzbekistan as a Harvard University graduate student in 2005, he found himself unexpectedly captivated by the complex tile patterns of a 15-th century Madrasa, or Islamic religious school,…

Photo by ben oït (http://www.flickr.com/photos/29713277@N02/4823605456/in/gallery-islamicheritage-72157629699521587/)

The Enamelled Glass, Mosque Lamps

Mosque lamps of glass, enamelled and often with gilding, survive in considerable numbers from the Islamic art of the Middle Ages, especially the 13th and 14th centuries, with Cairo in Egypt and Aleppo and Damascus in Syria as the most important centres of production. These are oil…

Tents_BAL_226544_lg

Movable Palaces

From a distance indeed this great tent would appear to be a castle.… Round and about the pavilion on the ground outside is erected a wall of cloth, as might be otherwise the…

The Ardabil Carpet

Design of the Ardabil Carpet (1539-1540)

The entire surface of the Ardabil carpet is covered by a single integrated design – an impressive feat in view of the great size of the carpet. The basic design is relatively simple,…

Page from an Album of Calligraphies of Prophetic Traditions (Hadith), ca. 1500; Ottoman Signed by Hamdullah ibn Mustafa Dede Turkey (Istanbul)

Arts of the book – 1600-1800

The technical aspects of calligraphy, painting, and bookbinding are important facets of the study of Islamic art. Treatises by sixteenth-century Persian authors Qazi Ahmed and Sadiqi Beq are the major sources on the…

Patio de la Acequia

The Symbolism of the Islamic Garden

THE IDEA of paradise as a garden is a very ancient one, pre-dating the three great monotheistic religions, Judaism, Christianity and Islam, by centuries. Within the Islamic context the key elements of flowing…

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